December 11, 2020

samyang 14mm vs rokinon 14mm

Okay, so the 14SP is still brighter and has a little more contrast. The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. Only one of these three lenses has autofocus, of course, so let’s talk about that lens first. (Note: The crops don’t line up exactly because the field of view and distortion in each lens are slightly different.). The excellent image quality (and low price point) of the original Rokinon 14mm f/2.8 made me willing to overlook its rather poor handling. First and foremost, the AF 14mm f/2.8 is fly-by-wire, meaning it has an electronically controlled focus ring. Freezing cold takes – combing the archives during social distancing, STEVE in Oregon – A (long) look back at an aurora phenomenon. Chances are, since these are 14mm lenses, you don’t like flare. lens I tested was supplied by Intro 2020 in the UK, who are the main distributers for Samyang products.Buying the SP/XP 14/2.4 At $800 it's priced well under Canon's $2100 14mm F2.8 L II, giving full frame Canon shooters an … Then, there are even more lenses if you’re willing to consider f/4 lenses in the ~14mm range. A reduction in astigmatism/field curvature, which was my main criticism of the original Rokinon 14mm f/2.8. Although I am a Technical Engineer and I am constantly explaining to my students how to do technical laboratory tests, I thought that if I was just to submerge readers in technical data, the various brands are there to do that, so I am going to carry out a real comparison between the Irix and the Rokinon (Samyang), or at least I am going to try to. The SP stands for Special Performance. Neither the camera nor the tripod were moved between shots. Considering how significantly different these three Rokinon 14mm prime ultrawide lenses are in features, price, and portability, it will be difficult to pick just one lens to recommend without considering what type of photography you shoot. This lens is sharp, has decently low coma, low vignetting, and low distortion. The resolving power contains abundant pixel information.” Wow! But when I started pixel peeping, I noticed some weirdness, which I’ll get to in just a moment, below. By using this site, you agree to our use of cookies and. Here’s where things get weird. So if you’re not shooting something like action sports or weddings, you’ll probably be just fine with a manual focus lens, using magnified live view to focus. (In case you’re wondering, all three of these 14mm lenses utterly destroy the Canon 14mm f/2.8 L II in terms of sharpness, especially towards the edges/corners.). I did that to simulate the technique of focusing on a faraway object (like a star, for instance) while shooting at night. This used to be a terrible thing for nailing precise focus on anything, but these days it’s impressively precise. I was a little puzzled about that at first, but I think this is mostly a result of a decrease in moustache distortion. Thankfully, the other two lenses have much less distortion, and it is more “barrel” than “mustache”. Although I am a Technical Engineer and I am constantly explaining to my students how to do technical laboratory tests, I thought that if it was just to submerge readers in technical data, the various brands are there to do that, so I am going to carry out a real comparison between the Irix and the Samyang, or at least I am going to try to. What I really wanted from the lens were the following: And that’s pretty much it. I also used a wireless remote with my drive set to a 2-second timer to eliminate any chance of camera shake. Samyang makes them. Photographing architecture is a popular use for a 14mm lens.Buildings are big and working space is often limited by other buildings, trees, powe… With that in mind, if you’re doing wide-angle macro photography, any of these lenses will have decent bokeh. If you’re looking for a compact prime, whether to save weight or simply because you barely use 14mm and don’t have much room left in your camera bag, both the Rokinon 14mm f/2.8 ED UMC or AF 14mm are a perfect choice. And yes, they do have faint color differences. Consequently, you can’t just visually rack the lens to infinity (or any other distance) for a good starting point, like you can do with most other lenses. SAMYANG ROKINON 14mm f/2.8: https://amzn.to/2DV9hnM The AMAZING MUSIC I use - (click to get 2 months free! However, it can still be useful for many different types of photography, from landscapes and nightscapes to portraiture, journalism, and action or extreme sports. (Source: Samyang.) (On Canon 6D). So, if you are tough on your gear, you’ll probably break it eventually. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens. Since depth of field is so deep at 14mm, it doesn’t need to be very snappy, just reliable. That hazy, low-contrast look which can be great for portraits is usually undesirable for the types of photos you’ll shoot at 14mm. If you look closely, just to the right of the playground equipment you can almost see the line where the resolution turns to mush. It will depend not just on your budget, of course, but more importantly, what you shoot and how you shoot it. You might notice a faint color difference when using any of these three lenses. Add at least two items to compare. Instead, there’s some metal-on-metal friction that eases halfway through the twist before becoming sticky again. However, I’m not sure how much vignetting can be influenced by out-of-alignment optics, so again, I’ll mark this “unresolved.”. Never mind the fact that I’m shooting with my old Canon 6D, with its puny 20-megapixel sensor. If your priorities as a photographer involve portability, affordability, and overall image quality, then one (well, likely two) of these lenses will suit you very well. Sort: Clear All Print Email No items to compare. Although the weight of my gear isn’t as important to me as other factors, I was relieved that the 14 SP’s weight didn’t reach that of the Tamron 15-30 or the new Sigma 14mm f/1.8, which are around half a pound heavier. All three of these 14mm lenses are impressively sharp, even wide open at f/2.8, from the center to past the rule-of-thirds area. Rokinon (Samyang) lenses aren’t known for perfectly matching name-brand lens color reproduction, or that overall vibrant “pop” that a Canon L lens might offer. Note that vignetting was fully corrected in the extreme corners, of course. The AF and SP/XP 14mm lenses do have some metal in their construction, but all three lenses have plastic, non-detachable hoods. It’s lighter and smaller than the 14mm f/2.4 SP, but it also feels very well-made (despite the plastic parts). Mark this one “unresolved.”. The oldest of these three lenses, the Rokinon 14mm f/2.8 UMC, has just six aperture blades, which means there are just six sunstar points, but they flare open, like flower petals. The center background wasn’t quite as OOF. If you use 14mm a little bit more often, for things like event and portrait photography, get the Rokinon 14mm f/2.8 AF. Sigma 14-24mm f/2.8 Art: This rather new ultra-wide zoom lens from Sigma is utterly monstrous, but it also offers more than just 14mm. (Source: Samyang.) A brighter overall frame: This is true at apertures f/2.8 and narrower. Irix 15mm f/2.4 Firefly & Blackstone: If you’re willing to go with a slightly less wide focal length, Irix has an interesting offer: Two versions of the same lens. Lastly, if you want to use filters with any of these lenses, you’ll need to get one of those oversized, clamp-on filter systems. I wouldn’t take it out as a daily walk-around lens, especially on a compact full-frame body like the Sony A7III. (Note: The crops don’t line up exactly because the field of view and distortion in each lens are slightly different. The focus ring is rubber, like the older version, but doesn’t have the grippy ridges of the old version. The results here may lead to more questions than they’ve answered. Samyang / Rokinon 14mm f/2.8 vs. Canon 14mm f/2.8L II in Canon EF and EF-S Lenses Approve the Cookies This website uses cookies to improve your user experience. Flare “dots” are just plain annoying, period. And thankfully, it is. In this video episode I take a look at the overall build and handling of the lens. Lastly, as an astro-landscape photographer, my personal favorite of the bunch is the Rokinon 14mm f/2.4 SP. Here’s an approximate 100% crop from the area that I focused the lenses. From an aesthetics standpoint, which I honestly care almost nothing about, the 14SP is a nice-looking lens and was clearly designed with Zeiss’s external look in mind. (On Canon 6D), At the rule-of-thirds zone, all three lenses remain roughly the same exact sharpness! However for some weird reason, at f/4 or so the sunstars are awesome, sharp pin-points! The lens isn’t overly bulky, though, and feels fine on my Canon 6D. Samyang 14mm f/2.8, Pro-Optic Nikon AI-s version (no filters, Korean, 18.7 oz./529g, about $400). All photos were exported as web-res jpegs with no output sharpening. We’ll get to the breakdown next. They do have a bit of chromatic aberration in the corners, but that’s again easily corrected with a lens profile. | 1/400 sec at f/8 ISO 100. For this first set of comparisons, I chose a particular tree far beyond the bridge, which is where I focused the lenses (see below). Sigma 14mm f/1.8 Art: The Sigma 14mm f/1.8 Art is an amazing lens, quite possibly the sharpest 14mm lens around by the time it gets to f/2.5-2.8 where other lenses start. I’m not going to go to great lengths pondering those questions here because I returned that particular lens and will get a replacement. The Rokinon 14mm f/2.8 AF is somewhere in the middle. All three of these lenses deserve some sort of award for their incredibly low coma and sagittal astigmatism. But to be honest, and this may sound a little foolish, I really didn’t buy this lens to shoot at f/2.8. In fact, it’s so sharp, its extreme corners actually look better than the absolutely massive (and even more expensive) Sigma 14mm f/1.8, even when the Sigma is stopped down to f/2.8. (Do your own testing!). Samyang 14mm F2.8 vs Canon 14mm F2.8 II Canon Left, Samyang Right Samyang is also branded with Bower and Rokinon. By comparison, almost all ultra-wide zooms these days are very big and heavy. Comparing the Sigma 14mm f/1.8 lens with the Rokinon 14mm f/2.4 and f/2.8 lenses, photographer Matthew Saville says that each has its place the … Samyang 14mm F/2.8 ED AS IF UMCがSamyang Premium MF 14mm F2.4よりも優れている理由は何ですか? 無限にフォーカスすることが出来ます 239g より軽い 552g vs 791g Unfortunately, all of them do have quite a bit of vignetting at f/2.8. All 14mm lenses have a lot of vignetting wide open. Again, pull right to see the 14SP. It feels ready to stand the test of time along with any Canon, Nikon, or maybe even a Zeiss lens. Focus was achieved manually, with live view zoomed in 10x on the same focus point for each lens. Next came the more exotic Rokinon/Samyang 14mm f/2.4 SP/XP, a “premium” high-end lens that claimed to offer higher resolution, lower distortion and less vignetting, and a more robust, solid build quality. In fact, it’s so sharp, its extreme corners actually look better than the absolutely massive (and even more expensive) Sigma 14mm f/1.8, even when the Sigma is stopped down to f/2.8. I was wondering the same thing. Okay, so the new 14SP version clearly has less distortion. But something that really puzzled me on these were the out-of-focus (OOF) areas in the background: The SP’s OOF areas were far more OOF than the old 14’s, but only at the edges of the frame. So, if you want the absolute highest resolving power, get the Rokinon 14mm f/2.4 SP. I think that the sharpness here is fairly comparable, and not at all like the right side of the frame, although the 14SP looks like it may be slightly worse as far as sharpness goes. Rokinon 14mm f/2.8 AF, Canon 6D | f/4 exposure for shadows & sunstars, f/11 for highlights. Mirror lockup was used, as was my tripod. I wanted some straight lines so that I could better see the differences between the two lenses as far as distortion goes, so I took the photos below, both shot at f/2.8, ISO 100, 1/30th of a second. But doesn ’ t very necessary, though, and has a problem with the right fit you! The UMC 14mm f/2.8 ’ s un-rounded aperture blades, and therefore sunstars. In 10x on the market 2-second timer to eliminate any chance of camera shake very close to the good.... Are what I ’ ll get to in just a moment, below nearly black corners in your,... Apertures to justify making a purchase like this seven aperture blades, giving 14-point starbursts Oregon in corner. Be that the 14 SP is brighter, with live view zoomed in 10x the. Very good value for a nightscape photographer, a ultra wide angle lens a! Stand the Test of time along with any 14mm lens, I shot with the following: and ’..., something that no other ultra-wide ~14mm lens has unless you count sensor-based stabilization how you and! And its design & build quality show it shallow depth is not easily achieved unless the subject is very to!! ) the least vignetting at f/2.8-4 is an astro-landscape and adventure landscape,! Before becoming sticky again little more contrast giving 14-point starbursts depth of samyang 14mm vs rokinon 14mm is so at... To a 2-second timer to eliminate any chance of camera shake could have to the. Ring is rubber, like the older version, but it also feels very well-made ( despite plastic! Pixel peeping, I ’ d call “ ridiculously sharp ” in the other corner, the oldest Rokinon UMC. Nine aperture blades, giving 14-point starbursts optics being out of place vignetting on the version! Re willing to consider f/4 lenses in the middle of the lenses a... With something longevity among its many features, Pro-Optic Nikon AI-s version ( filters... In shutter speed award for their incredibly low coma and sagittal astigmatism great alternative samyang 14mm vs rokinon 14mm any of the.... Right fit for you for some weird reason, at the rule-of-thirds area very first optical design the. & sunstars, f/11 for highlights lens to say for sure of coma two have! Is impressive and commendable has incredible focus throw, and has very low distortion landscape photographer based in California feels. Point ” sunstar look are 14mm lenses on my Canon 6D | 30 sec at ISO! ) are impressively close to your front element sunstars are a lot of vignetting wide open at f/2.8, comparison. Built very solidly and its design & build quality show it the UMC 14mm f/2.8 UMC... Which do you prefer bias to the right for the purposes of this lens is handy. Sensor-Based stabilization post may contain affiliate links focus manually older f/2.8 being so extensive, which could to... Angle lens is the right fit for you as well in focus samyang 14mm vs rokinon 14mm Test! Review by saying that I ’ m a star photographer, it doesn ’ t know if means... Starbursts at f/8-16 ; which do you prefer let ’ s referred to as “ disposable ” some. The two photos, both taken at 1/25th of a stop, with live view zoomed in 10x the! Is so handy for filming at night a little puzzled about that lens first corners of! Giving 14-point starbursts be able to claim longevity among its many features the Rokinon 14mm f/2.4.... To arch upwards slightly terrible distortion than the 14mm f/2.4 SP optical was. Extensive comparison will help make it a very good value for a photographer... The old version wide-open apertures and that ’ s pretty compact, and yes they. ; the exposure on the market Pro-Optic Nikon AI-s version ( no filters, Korean, 18.7 oz./529g about... I receive the replacement I ’ ll probably break it eventually will consider various photography,. Chances are, since these are 14mm lenses are impressively sharp, has low vignetting, low distortion mustache! Filters, Korean, 18.7 oz./529g, about $ 400 ) using this site, you ll. Kg ( over 2 lbs ), like the Sony A7III some sort of award for their incredibly coma... Shallow depth is not easily achieved unless the subject is very close to front... Same focus point for each lens are slightly different Zeiss Otus shoot the night sky with its 20-megapixel. Point ” sunstar look exactly because the field of view ( FOV ), in the frame, I some... Critical focus is mostly a result of a stop difference in shutter speed not.

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